12.The physicist rightly dreads precise argument，since an argumentthat is convincing only if it is precise loses all its force if theassumptions on which it is based are slightly changed，whereas anargument that is convincing though imprecise may well be stable undersmall perturbations of its underlying assumptions.
物理學家恐懼於那些精確無誤的論據不無道理，因為某種只有在它是精確無誤的條件下才令人置信的論據，一旦它賴於建立其上的假設稍有變化，便會失去它一部的作用;而與此相反，一個儘管並不精確無誤但卻令人置信的論據，在其基本假設稍微受干擾的情況下，仍然有可能是站得住腳的。
13.However，as they gained cohesion，the Bluestockings came toregard themselves as a womens group and to possess a sense of femalesolidarity lacking in the salonnieres，who remained isolated from oneanother by the primacy each held in her own salon.
起初，藍襪女們確實模仿了法國沙龍女主人，將男性襄括到其小圈子中來。然則，隨著她們獲得的凝聚力，她們漸趨將自己視作一女性團體，並擁有了一種婦女團結意識，而這種意識在法國沙龍女主人身上則蕩然無存，因為她們每個人在其自己的沙龍中自視甚高而彼此孤立隔絕開來。
14.As my own studies have advanced，I have been increasinglyimpressed with the functional similarities between insect andvertebrate societies and less so with the structural differences thatseem，at first glance，to constitute such an immense gulf between them.
隨著我的研究不斷深入，我對昆蟲和脊椎動物群落之間的功能類似性印象愈來愈深刻，而對結構上的差異印象愈發淡漠，雖然這些結構上的差異初看上去似乎構成了二者間一條無法愈越的鴻溝。
15. Although fiction assuredly springs from politicalcircumstances，its authors react to those circumstances in ways otherthan ideological，and talking about novels and stories primarily asinstruments of ideology circumvents much of the fictional enterprise.
雖然小說無疑起源於政治情狀，但其作者則是以非意識形態的方式對這些政治情狀作出反應的，而將小說和故事主要地當作意識形態的工具來探討，會在相當程度上阻礙小說事業。
16.Is this a defect，or are the authors working out of，or trying toforge，a different kind of aesthetic?
這究竟是一種缺陷呢，或者是否表明，這些作者是在按照一種與眾不同的美學體系進行創作，抑或是在試圖創立一種與眾不同的美學體系?
17.Black Fiction surveys a wide variety of novels，bringing to ourattention in the process some fascinating and little-known works likeJames Weldon Johnsons Autobiography of an Ex-Colored Man.
《黑人小說》考察了極為廣泛的一系列小說，在此過程中讓我們注意到了某些引人入勝但卻鮮為人知的作品，如詹姆斯。韋爾登。詹森的《一個曾經是有色人的自傳》。
物理學家恐懼於那些精確無誤的論據不無道理，因為某種只有在它是精確無誤的條件下才令人置信的論據，一旦它賴於建立其上的假設稍有變化，便會失去它一部的作用;而與此相反，一個儘管並不精確無誤但卻令人置信的論據，在其基本假設稍微受干擾的情況下，仍然有可能是站得住腳的。
13.However，as they gained cohesion，the Bluestockings came toregard themselves as a womens group and to possess a sense of femalesolidarity lacking in the salonnieres，who remained isolated from oneanother by the primacy each held in her own salon.
起初，藍襪女們確實模仿了法國沙龍女主人，將男性襄括到其小圈子中來。然則，隨著她們獲得的凝聚力，她們漸趨將自己視作一女性團體，並擁有了一種婦女團結意識，而這種意識在法國沙龍女主人身上則蕩然無存，因為她們每個人在其自己的沙龍中自視甚高而彼此孤立隔絕開來。
14.As my own studies have advanced，I have been increasinglyimpressed with the functional similarities between insect andvertebrate societies and less so with the structural differences thatseem，at first glance，to constitute such an immense gulf between them.
隨著我的研究不斷深入，我對昆蟲和脊椎動物群落之間的功能類似性印象愈來愈深刻，而對結構上的差異印象愈發淡漠，雖然這些結構上的差異初看上去似乎構成了二者間一條無法愈越的鴻溝。
15. Although fiction assuredly springs from politicalcircumstances，its authors react to those circumstances in ways otherthan ideological，and talking about novels and stories primarily asinstruments of ideology circumvents much of the fictional enterprise.
雖然小說無疑起源於政治情狀，但其作者則是以非意識形態的方式對這些政治情狀作出反應的，而將小說和故事主要地當作意識形態的工具來探討，會在相當程度上阻礙小說事業。
16.Is this a defect，or are the authors working out of，or trying toforge，a different kind of aesthetic?
這究竟是一種缺陷呢，或者是否表明，這些作者是在按照一種與眾不同的美學體系進行創作，抑或是在試圖創立一種與眾不同的美學體系?
17.Black Fiction surveys a wide variety of novels，bringing to ourattention in the process some fascinating and little-known works likeJames Weldon Johnsons Autobiography of an Ex-Colored Man.
《黑人小說》考察了極為廣泛的一系列小說，在此過程中讓我們注意到了某些引人入勝但卻鮮為人知的作品，如詹姆斯。韋爾登。詹森的《一個曾經是有色人的自傳》。
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